{"id":23848,"date":"2023-01-27T08:19:47","date_gmt":"2023-01-27T08:19:47","guid":{"rendered":"https:\/\/www.padesignart.com\/?p=23848"},"modified":"2023-01-27T10:11:08","modified_gmt":"2023-01-27T10:11:08","slug":"foreign-agent-play-mobile","status":"publish","type":"post","link":"https:\/\/www.padesignart.com\/fr\/news\/foreign-agent-play-mobile\/","title":{"rendered":"FOREIGN AGENT : \u00ab\u00a0PLAY\/MOBILE\u00a0\u00bb"},"content":{"rendered":"<p><a href=\"https:\/\/www.foreignagent.ch\" title=\"Foreign Agent\"><strong>Foreign Agent<\/strong><\/a> is excited to introduce Play\/Mobile, a<\/p>\n\n\n\n<p>curated show presenting a body of photographs by<\/p>\n\n\n\n<p>Jamal Nxedlana which evoke a relationship with and<\/p>\n\n\n\n<p>to sculpture, putting the ubiquitous monobloc plastic<\/p>\n\n\n\n<p>chairs at the centre. These cheap, flexible<\/p>\n\n\n\n<p>productions index the repetition, replication and<\/p>\n\n\n\n<p>duplication processes that \u201cdrain culture, objects<\/p>\n\n\n\n<p>and life of their idiosyncrasy, their spark and<\/p>\n\n\n\n<p>potential. [Becoming] copies and copies of copies\u201d<\/p>\n\n\n\n<p>(Jamal Nxedlana). The flexibility and fluidity of the<\/p>\n\n\n\n<p>plastic is further mirrored by the actors\u2019 bodies, a<\/p>\n\n\n\n<p>celebration of the formless, which as the French<\/p>\n\n\n\n<p>philosopher Georges Bataille argued, was to bring<\/p>\n\n\n\n<p>\u201cart down in the world\u201d, down from its elevated<\/p>\n\n\n\n<p>status to its base materialism, as a vector for<\/p>\n\n\n\n<p>creativity.<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><strong>FOREIGN AGENT<\/strong><\/p>\n\n\n\n<p>64 avenue d&rsquo;Ouchy<\/p>\n\n\n\n<p>1006 Lausanne, Switzerland<\/p>\n\n\n\n<p>T: +41 21 90 90 007<\/p>\n\n\n\n<p>E: info@foreignagent.ch<\/p>\n\n\n\n<p>OPENING TIMES<br>Tuesday to Friday: 2 &#8211; 6pm<br>Saturday: 11am &#8211; 5pm&nbsp;&amp; by appointment<\/p>","protected":false},"excerpt":{"rendered":"<p>Foreign Agent is excited to introduce Play\/Mobile, a curated show presenting a body of photographs by Jamal Nxedlana which evoke a relationship with and to sculpture, putting the ubiquitous monobloc plastic chairs at the centre. These cheap, flexible productions index the repetition, replication and duplication processes that \u201cdrain culture, objects and life of their idiosyncrasy, [&hellip;]<\/p>\n","protected":false},"author":590,"featured_media":23853,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[217],"tags":[],"class_list":["post-23848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-announcements"],"acf":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/posts\/23848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/users\/590"}],"replies":[{"embeddable":true,"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/comments?post=23848"}],"version-history":[{"count":3,"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/posts\/23848\/revisions"}],"predecessor-version":[{"id":23864,"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/posts\/23848\/revisions\/23864"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/media\/23853"}],"wp:attachment":[{"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/media?parent=23848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/categories?post=23848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.padesignart.com\/fr\/wp-json\/wp\/v2\/tags?post=23848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}